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Hasselblad lens dating

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Pricing was gathered from sales on ebay, keh.com, kohs.com, photo.net, apug.org, and other camera dealers including highly rated technician David Odess.. Chrome finished lenses were produced from the 1957 to the early 1970's.The switch to black finish lenses starts about 1972.16-bit colour definition, combined with Hasselblad’s Natural Colour Solution give your images unparalleled depth and sparkle.The new 100MP CMOS sensor is almost 50% larger than the 50MP option and allows wide angle lenses to be used at their maximum field of view.Following the design principle of the previous models, the Victor Hasselblad AB made the V-series completely modular: Not only the lenses, but also the winding crank, the viewfinder and the film magazine are exchangeable during normal operation of the camera.With the introduction of the 500C/M, also the focussing screen became easily exchangeable.Depth of field is supported on the lens barrel as well. The lenses for the 500 series do not appear to suffer from the internal scratching that may occur on the 900 series lenses.All lenses will stop down to at least f/22 with some expanding to f/32. Flash sync is available through the lens PC Sync at all shutter speeds.

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Both the lens shutter concept associated with less advanced 35mm SLR cameras, and the moderate top speed of 1/500th of a second worried the critics. Very short exposure time is easily and more accurately obtained using strobe light, in the studio anyway.Prices are the approximate amount one should expect to pay for a Hassy lens in excellent, but used, condition ( keh's "EXC" ).Glass and body should be clean and without scratches or cleaning marks.The single inspiring factor was the promising new Compur shutter, based on Zeiss Ikon’s Contaflex experience, and the fact that Zeiss committed them selves to manufacture the new range of lenses.The shutter would be an integral part of every interchangeable Hasselblad lens.Victor Hasselblad AB put great effort to assist correct magazine handling: the presence of a dark slide in the film magazine prevents the shutter from being fired, but allows the removal of the back, whereas the back is locked to the body without the dark slide in place. The above described effort is in strong contrast to the ease with which the shutter and body state dissociate upon removal of the lens.